Crisis of Doubt - Honest Faith in Nineteenth-Century England
The Victorian crisis of faith has dominated discussions of religion and the Victorians. Stories are frequently told of prominent Victorians such as George Eliot losing their faith. This crisis is presented as demonstrating the intellectual weakness of Christianity as it was assaulted by new lines of thought such as Darwinism and biblical criticism. This study serves as a corrective to that narrative. It focuses on freethinking and Secularist leaders who came to faith.
Literary Remains - Representations of Death and Burial in Victorian England
Literary Remains explores the unexpectedly central role of death and burial in Victorian England. As Alan Ball, creator of HBO's Six Feet Under, quipped, "Once you put a dead body in the room, you can talk about anything." So, too, with the Victorians: dead bodies, especially their burial and cremation, engaged the passionate attention of leading Victorians, from sanitary reformers like Edwin Chadwick to bestselling novelists like Charles Dickens, Elizabeth Gaskell, Thomas Hardy, and Bram Stoker.
Of Victorians and Vegetarians - The Vegetarian Movement in Nineteenth-century Britain
Nineteenth-century Britain was one of the birthplaces of modern vegetarianism in the West. In 'Of Victorians and Vegetarians' James Gregory explores the relationship between this newly organized movement and wider culture and society. It evolved with a myriad of meanings and voices: partly for propagandist reasons, but also because of the varied motivations and characteristcs of vegetarians. Teetotallers, animal lovers, mystics, spiritualists and theosophists, as well as those who saw the diet as an effective and democratic medical treatment, all provided the constituents for a movement whose critics associated it with radicalism and faddism.
Excavating Victorians examines nineteenth-century Britain's reaction to the revelations about time and natural history provided by the new sciences of geology and archaeology. The Victorians faced one of the greatest paradigm shifts in history: the bottom dropped out of time, and they had to reinvent their relationship to the earth and to time and history. These new sciences took the Victorians by storm, inundating them with fossils, skeletal remains, and potsherds-artifacts, or traces, that served at once as relics from the past, objects in the present, and markers of time's passage.
Criticism of Woolf is often polarised into viewing her work as either fundamentally progressive or reactionary. In Virginia Woolf and the Victorians, Steve Ellis argues that her commitment to yet anxiety about modernity coexists with a nostalgia and respect for aspects of Victorian culture threatened by radical social change. Ellis tracks Woolf's response to the Victorian era through her fiction and other writings, arguing that Woolf can be seen as more 'Post-Victorian' than 'modernist'.
