Historical Dictionary of Latin American Literature and Theater
The Historical Dictionary of Latin American Literature and Theater provides users with an accessible single-volume reference tool covering Portuguese-speaking Brazil and the 16 Spanish-speaking countries of continental Latin America (Argentina, Bolivia, Chile, Colombia, Costa Rica, Ecuador, El Salvador, Guatemala, Honduras, Mexico, Nicaragua, Panama, Paraguay, Peru, Uruguay, and Venezuela). Entries for authors, ranging from the early colonial period to the present, give succinct biographical data and an account of the author's literary production, with particular attention to their most prominent works and where they belong in literary history.
John Astington brings the acting style of the Shakespearean period to life, describing and analyzing the art of the player in the English professional theater between Richard Tarlton and Thomas Betterton. The book pays close attention to the cultural context of stage playing, the critical language used about it, and the kinds of training and professional practice employed in the theater at various times over the course of roughly one hundred years - 1558-1660. Perfect for courses, this up-to-date survey takes into account recent discoveries about actors and their social networks, about apprenticeship and company affiliations, and about playing outside the major center of theater, London.
During the 1970s and beyond, political causes both left and right-the gay rights movement, second-wave feminism, the protests against busing to desegregate schools, the tax revolt, and the anti-abortion struggle-drew inspiration from the protest movements of the 1960s. Indeed, in their enthusiasm for direct-action tactics, their use of street theater, and their engagement in grassroots organizing, activists in all these movements can be considered "children of the Sixties."
The original Globe Theater, which once stood along the banks of the Thames river in London, was the most popular playhouse in Elizabethan England. The Globe staged plays by the greatest playwright of his day, William Shakespeare, had its life cut short by fire, and, in the twentieth century rose again to entertain thousands of visitors.
This is the only book that offers a comprehensive collection of contemporary stage monologues for a complete range of roles. An invaluable tool for actors looking for new audition material or for anyone interested in theater.
