The New Yorker is an American magazine of reportage, commentary, criticism, essays, fiction, cartoons, satire and poetry published by Conde Nast Publications.
Satire in an Age of Realism (Cambridge Studies in Nineteenth-Century Literature and Culture)
Added by: algy | Karma: 431.17 | Black Hole | 10 December 2010
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Satire in an Age of Realism (Cambridge Studies in Nineteenth-Century Literature and Culture)
Examines how realism in the nineteenth-century novel became so extreme in its portrayal of human experience that it blurred into satire. Close study of the novels of Eliot, Hardy, Gissing, and Conrad, and the theater of Ibsen, reveals how Victorian realism's transfiguration into satire ultimately led to its demise.
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Romantic poetry is conventionally seen as inward-turning, sentimental, sublime, and transcendent, whereas satire, with its public, profane, and topical rhetoric, is commonly cast in the role of generic other -- as the un-Romantic mode. This book argues instead that the two modes mutually defined each other and were subtly interwoven during the Romantic period. By rearranging reputations, changing aesthetic assumptions, and re-distributing cultural capital, the interaction of satiric and Romantic modes helped make possible the Victorian and modern construction of "English Romanticism."
Added by: gothicca | Karma: 0 | Black Hole | 12 June 2010
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Satire and Romanticism
Romantic poetry is conventionally seen as inward-turning, sentimental, sublime, and transcendent, whereas satire, with its public, profane, and topical rhetoric, is commonly cast in the role of generic other--as the un-Romantic mode. This book argues instead that the two modes mutually defined each other and were subtly interwoven during the Romantic period. By rearranging reputations, changing aesthetic assumptions, and re-distributing cultural capital, the
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