As a partial remedy to this situation, we have pulled together into a single volume a set of papers by ourselves and our colleagues that address some of the developments of the past years. This book outlines work in formal issues in LFG theory in the twelve year period from 1982 to 1994. We have included papers on a range of topics that have been central in LFG research during this period. In particular, we have tried to include those papers which have been most influential as well as those that have previously been most inaccessible.
Introduction by the author: The purpose of this book, as its subtitle says, is to introduce readers to late mediaeval logic and semantic theory. By “late mediaeval,” I do not mean the really late period, at the end of the fifteenth century, say. Rather I mean the fourteenth century, primarily, and only the first half of it at that. (That is “late” in comparison with Boethius, certainly, and even in comparison with Peter of Spain and William of Sherwood a century earlier.) This is the period on which I have concentrated the bulk of my research, so naturally it’s the period I’m best in a position to talk about. Nevertheless, to give the reader a running start, I have included a kind of overview in Ch. 2, below, of the history of logic up to the end of the Middle Ages, including the periods before and after the time we will be mainly focusing on.
This book about Turkey is the most comprehensive book covering period from 1300 until 2003. This insightful history of Turkey tells the story of a country caught between the ideologies of East and West. "The overall dependability and regularity of the dates in the text, as well as an excellent chronology in an appendix, will make this a useful companion to any who need a quick reference volume for Turkey's modern history." - Hugh Pope, International Journal of Middle East Studies
The Monster in the Machine tracks the ways in which human beings were defined in contrast to supernatural and demonic creatures during the time of the Scientific Revolution. Zakiya Hanafi recreates scenes of Italian life and culture from the late sixteenth to the early eighteenth centuries to show how monsters were conceptualized at this particular locale and historical juncture—a period when the sacred was being supplanted by a secular, decidedly nonmagical way of looking at the world.
