Here are the beloved adventures of the mischievous hero Robin Hood and his brave and merry band of outlaws who forged a chivalrous code to protect the oppressed and despoil the oppressors.
Amusing Ourselves to Death - Public Discourse in the Age of Show Business
Amusing Ourselves to Death: Public Discourse in the Age of Show Business (1985) is a book by educator Neil Postman. The book's origins lie in a talk Postman gave to the Frankfurt Book Fair in 1984. He was participating in a panel on Orwell's 1984 and the contemporary world. In the introduction to his book Postman said that the contemporary world was better reflected by Aldous Huxley's Brave New World, whose public was oppressed by their addiction to amusement, than by Orwell's 1984, where they were oppressed by state control.
Is the fundamental relationship between an actor and an audience an equal and active one, or is it a situation that encourages passivity and division? This is the question at the heart of Augusto Boal's revolutionary Theatre of the Oppressed, originally published in 1979. Boal, a Brazilian artist and activist, has written a work that challenges the very premise of Western theater, starting with Aristotle and the first dramatists, and explores what social constructs lie behind the traditional theater form.