Lover Mine by J.R.Ward New or casual readers of the Black Dagger Brotherhood series will be lost in its eighth installment (after 2009's Lover Avenged), but Ward's fans love her soap opera storytelling and are happy to forgive unpronounceable names and occasionally overeager tough talk (at a solemn wedding, [the bridegroom] was smiling like a motherfucker). Newly made vampire John Matthew vows to free his mate, the symphath Xhexania, from Lash, a paranoid coke addict who's transmuting into a nontemporal entity like his vampire-killer father, the Omega.
Women never said no to the dashing Lord Matthew Weston and he never said no to them. But this was the first time he found one tempting enough to impetuously say "I do." Was it any wonder he awoke to discover her gone? And when Matthew learned the enchanting creature he'd married was of royal blood - and would abandon their marriage bed without a second thought - he vowed to put her out of his life forever.
George Saintsbury writes about Matthew Arnold in the "Modern English Writers" series published by Blackwood & Sons. He writes, "I have endeavoured, in dealing with the master of all English critics in the latter half of nineteenth century 'to help the reader who wants criticism.'" The book gives a brief biographical sketch of Matthew Arnold and later discusses his works.
Challenging a modern culture of skepticism, this book recovers the core conviction of Victorian liberal theory that human beings, with the help of the state, can achieve an objective moral perfection. Exposing century-long interpretive habits in nineteenth-century studies and political theory that still blind us to the merits of both perfectionism and statism, the book portrays Victorian liberals like John Stuart Mill, Matthew Arnold, and the American Transcendentalists as comprising a forgotten episode in the history of liberalism of vital importance today
Politics and Culture in Victorian Britain - Essays in Memory of Colin Matthew
How and why should we study Victorian Britain? The answer to this question used to be quite straightforward. It was the Victorian contribution to modern politics which stood out above all else. Today we are not so sure. This book suggest that politics are still central, but must be more broadly construed, as a pervasive part of Victorian culture as a whole.
