Ireland's oldest traditions excavated via archaeological, genetic, and linguistic research, culminating in atruly groundbreaking publication. Following his account of Irish origins drawing on archaeology, genetics, and linguistics, J. P. Mallory returns to the subject to investigate what he calls the Irish Dreamtime: the native Irish retelling of their own origins, as related by medieval manuscripts. He explores the historical backbone of this version of the earliest history of Ireland, which places apparently mythological events on a concrete timeline of invasions, colonization, and royal reigns that extends even further back in time than the history of classical Greece.
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In this book, Aidan Doyle traces the history of the Irish language from the time of the Norman invasion at the end of the 12th century to independence in 1922, combining political, cultural, and linguistic history. The book is divided into seven main chapters that focus on a specific period in the history of the language; they each begin with a discussion of the external history and position of the Irish language in the period, before moving on to investigate the important internal changes that took place at that time.
Irish Theatre in Transition celebrates the creative and richly vibrant Irish theatre which, since its inception, has always been in transition. Fifteen Irish theatre scholars, building on Christopher Murray's foundational essay on the first hundred years, explore Irish theatre's significance under the headings of 'Engaging with a Changing Reality' (of the Celtic Tiger, the sexual revolution, dementia), 'Enhanced Theatricality', 'Reframing Transition', and 'Inventiveness and Expanding the Stage' and discuss Irish plays in London, varied performances across Ireland in a year, Shakespeare, and Sam Shepard as Irish playwright.
Edgeworth is regarded as a pioneer in the development of the regional novel and the use of vernacular language. This study investigates her attitudes towards language and regionalism. It shows, by detailed discussion of her major Irish texts - Castle Rackrent, Essay on Irish Bulls, Ennui, The Absentee and Ormond - how her intellectual 'lunar' background, and her life in Ireland during the momentus years of the Union is reflected in the form and language of her writing.
