Women, Writing and Language in Early Modern Ireland
This book examines writing in English, Irish, and Spanish by women living in Ireland and by Irish women living on the continent between the years 1574 and 1676. This was a tumultuous period of political, religious, and linguistic contestation that encompassed the key power struggles of early modern Ireland. This study brings to light the ways in which women contributed; they strove to be heard and to make sense of their situations, forging space for their voices in complex ways and engaging with native and new language-traditions.
The reigning master of grand historical fiction returns with the stirring conclusion to his bestselling Dublin Saga. The Princes of Ireland, the first volume of Edward Rutherfurd’s magisterial epic of Irish history, ended with the disastrous Irish revolt of 1534 and the disappearance of the sacred Staff of Saint Patrick. The Rebels of Ireland opens with an Ireland transformed; plantation, the final step in the centuries-long English conquest of Ireland, is the order of the day, and the subjugation of the native Irish Catholic population has begun in earnest.
Terror and Irish Modernism: The Gothic Tradition from Burke to Beckett
Terror and Irish Modernism offers a synoptic overview of modern Irish fiction. Covering more than two centuries of literary production, Jim Hansen locates the root structure of modern Irish fiction in the masculine gender anxiety of one of the nineteenth century’s most popular literary genres: the Gothic. Addressing both the decolonization of Ireland and the politics of literary form, Hansen sheds new light on canonical works by Maria Edgeworth, C. R. Maturin, Oscar Wilde, James Joyce, and Samuel Beckett by reading them all as part of the generic tradition of the Irish Gothic.
BBC reporter Delaney's fictionalized history of his native country, an Irish bestseller, is a sprawling, riveting read, a book of stories melding into a novel wrapped up in an Irish history text. In 1951, when Ronan O'Mara is nine, he meets the aging itinerant Storyteller, who emerges out a "silver veil" of Irish mist, hoping to trade a yarn for a hot meal. Welcomed inside, the Storyteller lights his pipe and begins, telling of the architect of Newgrange, who built "a marvelous, immortal structure... before Stonehenge in England, before the pyramids of Egypt," and the dentally challenged King Conor of Ulster, who tried, and failed, to outsmart his wife.
