Added by: KundAlini | Karma: 1594.10 | Other | 8 October 2012
4
Fringe #4 [Comic Book
Comic Book
The hit show from J.J. Abrams comes to comics in this collection of the 6-issue miniseries in 144 pages. FBI Agent Olivia Dunham, brilliant scientist Walter Bishop and his estranged son Peter investigate the world of "fringe science" (telepathy, time travel, etc.) following suspicions that the large scientific research company, Massive Dynamic, is experimenting on the general public.
Written by Mike Johnson, Alex Katsnelson, Matthew Pitts, Danielle DiSpaltro and Kim Cavyan; Art by Tom Mandrake and Simon Coleby
Added by: KundAlini | Karma: 1594.10 | Other | 7 October 2012
8
Fringe #1 [Comic Book
Comic Book
The hit show from J.J. Abrams comes to comics in this collection of the 6-issue miniseries in 144 pages. FBI Agent Olivia Dunham, brilliant scientist Walter Bishop and his estranged son Peter investigate the world of "fringe science" (telepathy, time travel, etc.) following suspicions that the large scientific research company, Massive Dynamic, is experimenting on the general public.
Written by Mike Johnson, Alex Katsnelson, Matthew Pitts, Danielle DiSpaltro and Kim Cavyan; Art by Tom Mandrake and Simon Coleby
Written by the author of "Ender's Game", "Speaker for the Dead" and "Seventh Son", this futuristic adventure tells about the dangerous trek to the Rocky Mountains made by thousands so as to escape World War III. There are some people who just don't fit in. These are the folk of the fringe.
Fiction on the Fringe: Novelistic Writing in the Post-Classical Age (Mnemosyne, Bibliotheca Classica Batava Supplementum)
This collection of essays offers a comprehensive examination of texts that traditionally have been excluded from the main corpus of the ancient Greek novel and confined to the margins of the genre, such as the "Life of Aesop", the "Life of Alexander the Great", and the "Acts of the Christian Martyrs". Through comparison and contrast, intertextual analysis and close examination, the boundaries of the dichotomy between the 'fringe' vs. the 'canonical' or 'erotic' novel are explored, and so the generic identity of the texts in each group is more clearly outlined
