Moving Forward, Looking Back - The European Avant-garde and the Invention of Film Culture, 1919-1939
This book, the first full critical overview of the film avant-garde, ushers in a new approach—and in the process creates its own subject. While many books have studied particular aspects of the European film avant-garde of the 1920s and 1930s, Moving Forward, Looking Back provides a much-needed summary of the theory and practice of the movement, while also emphasizing aspects of the period that have been overlooked.
It was more than an incident. It was a deadly assault across the 38th parallel. It was the Korean War. In the fear and frenzy of battle, those who had served with heroism before were called again by America to man the trenches and sandbag bunkers. From Pusan to the Yalu, they drove forward with commands too new and tanks too old: brothers in war, bonded together in battle as they had never been in peace...
Private Investigator Regan Reilly and her husband, Jack "no relation" Reilly, head of the NYPD Major Case Squad, are about to celebrate their first wedding anniversary. They are looking forward to a quiet romantic weekend out of town. Wouldn’t you know their choice of destination provides them with anything but!
Series of four novels by Lawrence Durrell. The lush and sensuous tetralogy, which consists of Justine (1957), Balthazar (1958), Mountolive (1958), and Clea (1960), is set in Alexandria, Egypt, during the 1940s. Three of the books are written in the first person, Mountolive in the third. The first three volumes describe, from different viewpoints, a series of events in Alexandria before World War II; the fourth carries the story forward into the war years. The events of the narrative are mostly seen through the eyes of one L.G. Darley, who observes the interactions of his lovers, friends, and acquaintances in Alexandria.
Radical Construction Grammar: Syntactic Theory in Typological Perspective
Added by: nastroenie | Karma: 223.50 | Black Hole | 7 February 2011
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Radical Construction Grammar: Syntactic Theory in Typological Perspective
This book is based on the results of research in language typology, and motivated by the need for a theory to explain them. Croft proposes intimate links between syntactic and semantic structures, and argues that the basic elements of any language are not syntactic but rather syntactic-semantic "Gestalts". He puts forward a new approach to syntactic representation and a new model of how language and languages work.
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