Apposition in Contemporary English is the first full-length treatment of apposition. It provides detailed discussion of its linguistic characteristics and of its usage in various kinds of speech and writing, derived from the data of British and American computer corpora. Charles Meyer demonstrates the inadequacies of previous studies and argues that apposition is a grammatical relation realized by constructions having particular syntactic, semantic and pragmatic characteristics, of which certain are dominant.
Rajend Mesthrie examines the rise of a new variety of English among Indian migrant workers indentured on the plantations of Natal in South Africa. Considering the historical background to, and linguistic consequences of, language shift in an immigrant context, he draws significant parallels between second language acquisition and the processes of pidginization and creolization. South African Indian English is compared with other dialects in South Africa, with English in India, and with Englishes generally.
In considering the practice and theory of translating Classical Greek plays into English from a theatrical perspective, Found in Translation also addresses the wider issues of transferring any piece of theatre from a source into a target language. The history of translating classical tragedy and comedy, here fully investigated, demonstrates how through the ages translators have, wittingly or unwittingly, appropriated Greek plays and made them reflect socio-political concerns of their own era. Chapters are devoted to topics including verse and prose, mask and non-verbal language, stage directions and subtext and translating the comic.
