The materials of this work were originally collated in Japan to assist my students in their English studies, and a Japanese edition of the Dictionary appeared in the year 1888. The phrases that recur so often in English books and in conversation, conveying a meaning to the native English ear which a rational dissection of their component parts quite fails to supply, had not previously been collected in a handy volume. Year:1891
Not everything that can be said in one language can be said in another. The lexicons of different languages seem to suggest different conceptual universes. Investigating cultures from a universal, language-independent perspective, this book rejects analytical tools derived from the English language and Anglo culture and proposes instead a "natural semantic metalanguage" formulated in English words but based on lexical universals.
- Natural and up-to-date English based on research by students in Michigan middle and high schools recently - Culture notes - Advice about idioms - Full grammatical contexts - Audio CD, with all voices by native speakers of North American English - Illustrated multi-skills activity book is available separately
Current Trends in Diachronic Semantics and Pragmatics
The focus of this volume is on semantic and pragmatic change, its causes and mechanisms. The papers gathered here offer both theoretical proposals of more general scope and in-depth studies of language-specific cases of meaning change in particular notional domains. The analyses include data from English, several Romance languages, German, Scandinavian languages, and Oceanic languages.
By bringing together the emphases and techniques of modern linguistics and literary criticism and applying them to a range of poetry, from Shakespeare to the present day, A Linguistic History of English Poetry argues that poetry is uniquely and intrinsically different from other linguistic discourses and non-linguistic sign systems. A variety of approaches, including New Criticism, Formalism, Structuralism and Poststructuralism, are used to show how poetic structure and poetic signification have changed since the sixteenth century