Death and Burial in Medieval England 1066 - 1550

Death had an important and pervasive presence in the Middle Ages. It was a theme in medieval public life, finding expression both in literature and art. The beliefs and procedures accompanying death were both complex and fascinating. Christopher Daniell's approach to this subject is unusual in bringing together knowledge accumulated from historical, archaeological and literary sources. The book includes the very latest research, both of the author and of others working in this area. The result is a comprehensive and vivid picture of the entire phenomenon of medieval death and burial.

Literary Remains - Representations of Death and Burial in Victorian England

Literary Remains explores the unexpectedly central role of death and burial in Victorian England. As Alan Ball, creator of HBO's Six Feet Under, quipped, "Once you put a dead body in the room, you can talk about anything." So, too, with the Victorians: dead bodies, especially their burial and cremation, engaged the passionate attention of leading Victorians, from sanitary reformers like Edwin Chadwick to bestselling novelists like Charles Dickens, Elizabeth Gaskell, Thomas Hardy, and Bram Stoker.

Urn Burial by Kerry Greenwood

The redoubtable Phryne Fisher is holidaying at Cave House, a Gothic mansion in the heart of Australia's Victorian mountain country. But the peaceful surroundings mask danger. Her host is receiving death threats, lethal traps are set without explanation, and the parlour maid is found strangled to death. What with the reappearance of mysterious funerary urns, a pair of young lovers, an extremely eccentric swagman, an angry outcast heir, and the luscious Lin Chung, Phryne's attention has definitely been caught.

Sacred Ground

Jennifer Talldeer is Osage and Cherokee, granddaughter of a powerful Medicine Man. She walks a difficult path: contrary to tribal custom, she is learning a warrior's magics. A freelance private investigator, Jennifer spends hours tracking down stolen Indian artifacts.
The construction of a new shopping mall uncovers fragments of human bone, revealing possible desecration of an ancient burial ground. the sabotage of construction equipment implicated Native American activists--particularly Jennifer's old flame, who is more attractive, and more dangerous, than ever.

The image of the great artist as a suffering visionary is a recent invention, observes sociologist Nathalie Heinich - an invention rooted in the "canonization" of Vincent van Gogh as a cultural hero for the twentieth century. Heinich explores how and why the impoverished and mentally tormented van Gogh came to be glorified shortly after his suicide at the age of 37. Did the secular art world need a rebel-saint of its own? In considering this possibility, the author explores the history of efforts to celebrate van Gogh, whether in biographies or on T-shirts, showing how the details of his life have been constructed according to the pattern of a Christian saint's rise to recognition. These biographical details circulated first as anecdotes, then as historical truths, and finally became legendary motifs defining individual greatness.
Heinich organizes her book around the stages that characterize the life of a saint-deviation, renewal, reconciliation, and pilgrimage, the latter culminating in visits to van Gogh's burial site and the competition to buy his paintings or "relics." Heinich explores the economics of the art market and the themes that make up the van Gogh myth, such as the personalization of artistic grandeur, the celebration of the interiority of the creator, and the glorification of abnormality. By examining the mythology that helps drive artistic investment, she forces us to reconsider the nature of admiration and particularly the notion that obscurity during an artist's lifetime is a guarantee of true genius.