A posthumous recipient of the World Fantasy Award for Lifetime Achievement, Marion Zimmer Bradley reinvented - and rejuvenated - the King Arthur mythos with her extraordinary Mists of Avalon series. In this epic work, Bradley follows the arc of the timeless tale from the perspective of its previously marginalized female characters: Celtic priestess Morgaine, Gwenhwyfar, and High Priestess Viviane.
Questioning whether the impulse to adapt Shakespeare has changed over time, Lynne Bradley argues for restoring a sense of historicity to the study of adaptation. Bradley compares Nahum Tate's "History of King Lear" (1681), adaptations by David Garrick in the mid-eighteenth century, and nineteenth-century Shakespeare burlesques to twentieth-century theatrical rewritings of King Lear, and suggests latter-day adaptations should be viewed as a unique genre that allows playwrights to express modern subject positions with regard to their literary heritage while also participating in broader debates about art and society.
Bradley Chalkers IS the oldest kid in the fifth grade. He tells enormous lies. He picks fights with girls. No one likes him—except Carla, the new school counselor. She thinks Bradley is sensitive and generous, and knows that Bradley could change, if only he weren’t afraid to try. But when you feel like the most-hated kid in the whole school, believing in yourself can be the hardest thing in the world. . . .
Guns for the Tsar: American Technology and the Small Arms Industry in Nineteenth-Century Russia
This is a detailed study of the development of the Russian small arms industry. Humiliated in the Crimean War, Russia turned to the United States for help. Using archival sources, Bradley, author of Muzhik and Muscovite: Urbanization in Late Imperial Russia (Univ. of California Pr., 1985), describes the role of famous gunsmiths like Colt, Smith, and Wesson; they provided Russia with machinery, tools, production techniques, and even workers to build an independent arms industry. Assimilation was only partially successful; an inflexible economy hindered military modernization. A 30-page bibliography and 40 pages of footnotes testify to Bradley's meticulous research and academic style.
Added by: gloriaregis | Karma: 69.17 | Fiction literature | 13 January 2011
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The Black Prince (1973)
A story about being in love The Black Prince is also a remarkable intellectual thriller with a superbly involuted plot, and a meditation on the nature of art and love and the deity who rules over both. Bradley Pearson, its narrator and hero, is an elderly writer with a 'block'. Encompassed by predatory friends and relations - his ex-wife, her delinquent brother and a younger, deplorably successful writer, Arnold Baffin, together with Baffin's restless wife and youthful daughter - Bradley attempts escape. His failure and its aftermath lead to a violent climax; and to a coda which casts a shifting perspective on all that has gone before.
