After the End of History: American Fiction in the 1990s

In this bold book, Samuel Cohen asserts the literary and historical importance of the period between the fall of the Berlin wall and that of the Twin Towers in New York. With refreshing clarity, he examines six 1990s novels and two post-9/11 novels that explore the impact of the end of the Cold War: Pynchon's "Mason & Dixon", Roth's "American Pastoral", Morrison's "Paradise", O'Brien's "In the Lake of the Woods", Didion's "The Last Thing He Wanted", Eugenides' "Middlesex", Lethem's "Fortress of Solitude", and DeLillo's "Underworld".

American Fiction in Transition is a study of the observer-hero narrative, a highly significant but critically neglected genre of the American novel. Through the lens of this transitional genre, the book explores the 1990s in relation to debates about the end of postmodernism, and connects the decade to other transitional periods in US literature. Novels by four major contemporary writers are examined: Philip Roth, Paul Auster, E. L. Doctorow and Jeffrey Eugenides.

Art - BBC Radio Play

A three way meditation on taste, style and fraternity erupts when Serge pays 300,000 Euros for a canvas painted white.

In the late 1990s this play was a big success in London and New York.  But the stage never managed to assemble a cast like Radio 3's ...

Broadcast May 7, 2000

The Top Gear Story

This is the full story of the unstoppable rise of Clarkson, Hammond, May, and The Stig—and how they have transformed an ordinary program about cars into one of the most famous and best-loved TV programs of the 21st century. From humble beginnings as a 1970s motoring show, Top Gear has achieved world domination. This is the incredible inside story of the program that has become unmissable viewing for millions of petrolheads. Reaching a peak in the 1990s thanks to presenter Jeremy Clarkson, the original series then faced the axe in 2001—but Clarkson and producer Andy Wilman

Women's Writing in Contemporary France: New Writers, New literatures in the 1990s

This book provides an up-to-date introduction to and analysis of new women's writing in contemporary France including both new writers of the 1990s and their more established counterparts. The editors' incisive introduction situates these authors and their texts at the center of the current trends and issues concerning French literary production today, while 15 original essays focus on individual writers.