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Formalism and Marxism (New Accents)
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Formalism and Marxism (New Accents)Russian Formalism and Marxist criticism had a seismic impact on twentieth-century literary theory and the shockwaves are still felt today. First published in 1979, Tony Bennett's Formalism and Marxism created its own reverberations by offering a ground-breaking new interpretation of the Formalists' achievements and demanding a new way forward in Marxist criticism.
 
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Modernism (Blackwell Guides to Criticism)
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Modernism (Blackwell Guides to Criticism)This guide helps readers to engage with the major critical debates surrounding literary modernism. A judicious selection of key critical works on literary modernism .
 
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Science Illustrated May/June 2008
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Science Illustrated May/June 2008Contents: Marine Life, Paleontology, Chemistry, Computing, Crisis Prevention, Zoology, Maritime Tech, Earth In Action, Neurology and much more.
 
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Sentimental Figures of Empire in Eighteenth-Century Britain and France
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Sentimental Figures of Empire in Eighteenth-Century Britain and FranceIn this ambitious and original study, Lynn Festa examines how and why sentimental fiction became one of the primary ways of representing British and French relations with colonial populations in the eighteenth century. Drawing from novels, poetry, travel narratives, commerce manuals, and philosophical writings, Festa shows how sentimentality shaped communal and personal assertions of identity in an age of empire.
 
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Albert Camus in the 21st Century: A Reassessment of his Thinking at the Dawn of the New Millennium
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Albert Camus in the 21st Century: A Reassessment of his Thinking at the Dawn of the New MillenniumIn the first decade of a new century, this collection of bilingual essays examines Camus's continuing popularity for a new generation of readers. In crucial respects, the world Camus knew has changed beyond all recognition: decolonization, the fall of the Iron Curtain, a new era of globalization and the rise of new forms of terrorism have all provoked a reconsideration of Camus's writings. If the Absurd once struck a particular chord, Meursault is as likely now to be seen as a colonial figure who expresses the alienation of the settler from the land of his birth.
 
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