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The Practical Writer with Readings
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The Practical Writer with Readings

THE PRACTICAL WRITER WITH READINGS provides you with a manageable and accessible step-by-step approach to writing, from the one-paragraph essay to the five-paragraph essay, and beyond it into the research-driven paper. This text clearly and succinctly presents everything you need know to master college-level writing.
 
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Voyages in Classical Mythology
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Voyages in Classical Mythology

Organized by character or traveler's name, each entry includes a description of the voyager's life, their journey, alternate versions of the story, symbolism, cross-references, and a list of ancient sources. Each entry in Voyages in Classical Mythology is accompanied by a map, helping readers trace the routes of heroes and deities whose quests took them to such faraway destinations as Egypt, Sparta, Troy, and the Black Sea.

 
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How Writers Work: Finding a Process That Works for You
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How Writers Work: Finding a Process That Works for You

The Secret of Writing
Its misleading to think of writers as special creatures, word sorcerers who possess some sort of magic knowledge hidden from everyone else. Writers are ordinary people who like to write. They feel the urge to write, and scratch that itch every chance they have. Writers get their ideas down on paper using particular strategies that seem to work for them.
 
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Fifty Key Literary Theorists
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Fifty Key Literary Theorists

Covering over a century's worth of debate, thinking and writing about literature, this is a unique guide to the lives and works of fifty theorists who have left an indelible mark on literary studies.
Featuring theorists such as Judith Butler, Jacques Derrida, Sigmund Freud and Edward Said.
 
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Shakespeare as Literary Dramatist, 2nd Edition
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Shakespeare as Literary Dramatist, 2nd EditionShakespeare as Literary Dramatist, 2nd Edition

Now in a new edition, Lukas Erne's groundbreaking study argues that Shakespeare, apart from being a playwright who wrote theatrical texts for the stage, was also a literary dramatist who produced reading texts for the page. Examining the evidence from early published playbooks, Erne argues that Shakespeare wrote many of his plays with a readership in mind and that these "literary" texts would have been abridged for the stage because they were too long for performance.
 
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