Ronald W. Langacker created an approach to linguistics called Cognitive Grammar, which is essentially a system of symbols that can be used to organize and analyze how semantics and phonology interact with each other in human language. Cognitive Grammar lays the groundwork for cognitive linguistics, which has become a major sub-field over the past 30 years. Langacker's 2008 Oup book Cognitive Grammar is the authoritative introduction to Cg. But for an introduction it's rather long-584 pages, divided into four sections, two of which are truly introductory and two of which offer a more detailed methodology for researchers.

This Cahiers Chronos volume reports on new and ongoing research on tense, aspect and modality in which a variety of languages has been gathered. The languages discussed by the authors include (in alphabetical order): Brazilian Portuguese, Chinese, Dutch, English, French, German, Greek, Italian, Japanese, Polish, Russian and Spanish. The articles form a selection of the papers presented at the 5th Chronos Conference that took place at the University of Groningen, the Netherlands, in June 2002.

. This book is of interest for scholars in the field of semantics, logic, syntax, and comparative linguistics.

This book presents an account of word order phenomena from the point of view of the word order rules posited in several models of grammar. As such it differs from most discussions of word order which are either purely typological in nature or couched in a single model of description. In examining the treatment of linearization suggested in quite different theoretical frameworks the book seeks to establish the range of factors that need to be invoked in the specification of order on a crosslinguistic basis. It simultaneously provides a fair idea of the different approaches to linearization currently in vogue and the variety of available analyses of the same word order facts.

Over a period of over forty years, Geoffrey Leech has made notable contributions to the field of literary stylistics, using the interplay between linguistic form and literary function as a key to the ‘mystery’ of how a text comes to be invested with artistic potential.
In this book, seven earlier papers and articles, read previously only by a restricted audience, have been brought  together with four new chapters, the whole volume showing a continuity of approach across a period when all too often literary and linguistic studies have appeared to drift further apart.

Slang is often seen as a lesser form of language, one that is simply not as meaningful or important as its 'regular' counterpart. Connie Eble refutes this notion as she reveals the sources, poetry, symbolism, and subtlety of informal slang expressions. In Slang and Sociability, Eble explores the words and phrases that American college students use casually among themselves.