David Schow's terrific overview of this classic television series is stuffed with illustrations many of them never published before. His critical assessment of the various episodes is always well informed (although there are a couple that I do disagree with very strongly). The most important thing is that this groundbreaking gothic science fiction/horror series is finally being appreciated.
Art and Architecture in Naples, 1266-1713: New Approaches (Art History Special Issues)
Often overshadowed by the cities of Florence and Rome in art-historical literature, this volume argues for the importance of Naples as an artistic and cultural centre, demonstrating the breadth and wealth of artistic experience within the city.
Power: I Live in the Future & Here's How It Works: Why Your World, Work, and Brain Are Being Creatively Disrupted
Are we driving off a digital cliff and heading for disaster, unable to focus, maintain concentration, or form the human bonds that make life worth living? Are media and business doomed and about to be replaced by amateur hour? The world, as Nick Bilton—with tongue-in-cheek—shows, has been going to hell for a long, long time, and what we are experiencing is the twenty-first-century version of the fear that always takes hold as new technology replaces the old.
This book is ideal for those who have been commissioned, or are in competition, who want to learn about the very latest developments and trends in the area. New introductions to each section focus the remit of the book and make it a complete and comprehensive guide to the topic.
Most Canadians when thinking of twentieth century Canadian art might envisage the haunting and vibrant landscapes of the Group of Seven, the dream-like images of Alex Colleville, or the humorous and mystical sculptures created by First Nations artists. But these artists only hint at the richness and diversity in the development of Canadian art over the last one hundred years.
