This fascinating and informative compendium of Native American lore was assembled by one of twentieth-century America's premier ethnographer/anthropologists. Hartley Burr Alexander recounts the continent's myths chronologically and region-by-region, offering a remarkably wide range of nomadic sagas, animist myths, cosmogonies and creation myths, end-time prophecies, and other traditional tales.

Two accomplished poets and teachers offer a poetry primer that includes short essays on the elements of poetry, technique, and possible subjects for writing, along with writing exercises, tips on getting published, and examples of contemporary poetry.
Abstract: Two accomplished poets and teachers offer a poetry primer that includes short essays on the elements of poetry, technique, and possible subjects for writing, along with writing exercises, tips on getting published, and examples of contemporary poetry

This volume takes a variety of approaches to the question 'what is a word?', with particular emphasis on where in the grammar wordhood is determined. Chapters in the book all start from the assumption that structures at, above, and below the 'word' are built in the same derivational system: there is no lexicalist grammatical subsystem dedicated to word-building. This type of framework foregrounds the difficulty in defining wordhood.

The Oxford Illustrated History of Science is the first-ever fully illustrated global history of science, from Aristotle to the atom bomb - and beyond.
The first part of the book tells the story of science in both the East and West from antiquity to the Enlightenment: from the ancient Mediterranean world to ancient China; from the exchanges between Islamic and Christian scholars in the Middle Ages to the Chinese invention of gunpowder, paper, and the printing press; from the Scientific Revolution of sixteenth and seventeenth century Europe to the intellectual ferment of the eighteenth century.

Why do authors use pseudonyms and pen-names, or ingeniously hide names in their work with acrostics and anagrams? How has the range of permissible given names changed and how is this reflected in literature? Why do some characters remain mysteriously nameless? In this rich and learned book, Alastair Fowler explores the use of names in literature of all periods - primarily English but also Latin, Greek, French, and Italian - casting an unusual and rewarding light on the work of literature itself. He traces the history of names through Homer, Spenser, Shakespeare, Milton, Thackeray, Dickens, Joyce, and Nabokov, showing how names often turn out to be the thematic focus.