Hurrying out of St Monkey's church on the last Amen of the Creation, Joe Sixsmith stumbles across a boy's corpse in a cardboard box and into more trouble than he's ever known. Soon his casebook is full to bursting: retired colonial Mrs C. demands to know how the boy got there; Gallie, the Mutant from Outer Space, urges him to find the stranger nosing into her granddad's past; while Butcher,
At the same time he is trying to find out who is threatening all kinds of nastiness against top athlete Zak Oto if she wins her New Year's Day race to celebrate the opening of Luton's splendid Pleasure Dome. Everybody looks suspicious, from her ex-con minder Starbright Jones, through her trainers, past and present, to her own family. And the only reassurance Joe has that he's getting warm is when someone starts trying to kill him!
Private investigator Joe Sixsmith, a former lathe operator whose skill at detection is part pure luck and part and uncanny ability to be in the wrong place at the wrong time, rushes into a burning cottage to save a young woman trapped inside. She's barely alive, nameless...and the subject of Joe's new mystery. Joe is in Wales for a church choir festival. He's retained by two parties to uncover the identity of the young woman. Joe's not up to any more heroics, though his clients may be. But before a killer can be brought to justice, he may have to play hero one more time-to save his own skin.
Who would sever a tongue from a living mouth? Or kill a pathetic, homeless old man? Or terrify a young doctor into silence? The questions are piling up, and Doug McHarg can't stop asking them, even - especially - when he's warned off his inquiries by his boss in the local police force, by Scotland Yard, and by increasingly professional death-threats. The pattern that emerges is of a shadowy, immensely powerful organization, with a reach that extends to the White House and the English throne. And all that stands against them is the implacable McHarg - one discontented copper with little left to lose.
Reginald Hill - Exit Lines Three old men die on a stormy November night: one by deliberate violence, one in a road accident and one by an unknown cause. Inspector Pascoe is called in to investigate the first death, but when the dying words of the accident victim suggest that a drunken Superintendent Dalziel had been behind the wheel, the integrity of the entire Mid-Yorkshire constabulary is called into question.
