The contributors explore how the Gothic influences a range of writers including James Joyce, D. H. Lawrence, Virginia Woolf, May Sinclair, Elizabeth Bowen, and Djuna Barnes.
This is the first full-length exploration of the relationship between Gothic fiction and Modernism in fiction and film.
Contents Acknowledgements. Notes on the Contributors Introduction: Gothic Modernisms: History, Culture and Aesthetics 1 Hungry Ghosts and Foreign Bodies 2 The ‘Spectrality Effect’ in Early Modernism 3 ‘Psychical’ Cases: Transformations of the Supernatural in Virginia Woolf and May Sinclair7 4 The Ghost and the Omnibus: the Gothic Virginia Woolf 5 Strolling in the Dark: Gothic Flânerie in Djuna Barnes’s Nightwood 6 ‘Thick Within Our Hair’: Djuna Barnes’s Gothic Lovers 7 ‘The stern task of living’: Dubliners, Clerks, Money and Modernism 8 The Modernist Abominations of William Hope Hodgson 9 Vampirism, Masculinity and Degeneracy: D.H. Lawrence’s Modernist Gothic 10 Arctic Masks in a Castle of Ice: Gothic Vorticism and Wyndham Lewis’s Self Condemned 11 Metropolis and the Modernist Gothic 12 Hollywood Gothic/Gothic Hollywood: the Example of Billy Wilder’s Sunset Boulevard Index