This volume takes a contemporary and novel look at how people see the world around them. We generally believe we see our surroundings and everything in it with complete accuracy. However, as the contributions to this volume argue, this assumption is wrong: people’s view of their world is cloudy at best. Social Psychology of Visual Perception is a thorough examination of the nature and determinants of visual perception, which integrates work on social psychology and vision.
Victorian Glassworlds - Glass Culture and the Imagination 1830 - 1880
Isobel Armstrong's startlingly original and beautifully illustrated book tells the stories that spring from the mass-production of glass in nineteenth-century England. Moving across technology, industry, local history, architecture, literature, print culture, the visual arts, optics, and philosophy, it will transform our understanding of the Victorian period.
Mathematics from the Visual World, taught by veteran Teaching Company Professor Michael Starbird of The University of Texas at Austin, takes Plato's dictum to heart and introduces you to the terms, concepts, and astonishing power of geometry. In 24 richly illustrated lectures, you learn that geometry is everywhere. It is the key to scientific disciplines from cosmology to chemistry. It is central to art and architecture. It provides deep insights into algebra, calculus, and other mathematical fields. And it is stunning to contemplate in its beauty.
Pictorial Law: Modern Law and the Power of Pictures
We live in a digital Media Society, in which pictures are becoming more and more important. So, human communication is increasingly becoming a visual communication. That is not a new finding. But the new question is: What does this development mean for the law? Up to now the law is the part of the society which is most sceptical towards images. Law has still resisted the visual temptation. This will not last for ever. The rush of pictures in everyday life and in every part of the society is much too strong - and it is even getting stronger.
Arcimboldo: Visual Jokes, Natural History, and Still-Life Painting
In Giuseppe Arcimboldo’s most famous paintings, grapes, fish, and even the beaks of birds form human hair. A pear stands in for a man’s chin. Citrus fruits sprout from a tree trunk that doubles as a neck. All sorts of natural phenomena come together on canvas and panel to assemble the strange heads and faces that constitute one of Renaissance art’s most striking oeuvres. The first major study in a generation of the artist behind these remarkable paintings, Arcimboldo tells the singular story of their creation.
