Gothic Romanticism: Architecture, Politics, and Literary Form
Gothic Romanticism is a study of the relationship between British Romanticism and the Gothic Revival. Reading a wide range of canonical and rare texts, and spanning the Romantic discourses of architecture, politics, and literary form, the book recovers the collaborative project of Wordsworth, Coleridge, and Southey for a purified 'Gothic' poetry and a 'second Gothic' culture.
Coleridge, Revision and Romanticism: After the Revolution, 1793-1818 (Continuum Literary Studies)
Ve-Yin Tee is Assistant Professor of British Literature at Nanzan University, Japan.
This title presents a cultural-materialist assessment of the after-effects of the French Revolution on English culture, using Coleridge as a case study. The Romantic phenomenon of multiple texts has been shaped by the link between revision and authorial intent. However, what has been overlooked are the profound implications of multiple and contradictory versions of the same text for a materialist approach; using the works of Coleridge as a case study and the afterlife of the French Revolution as the main theme, this monograph lays out the methodology for a more detailed multi-layered analysis.
Pieter Vermeulen teaches literary theory at the University of Leuven, Belgium.
This comprehensive account demonstrates how Hartman's commitment to the potency of aesthetic mediation informs a similar position in current debates about ethics, media, and memory. "Geoffrey Hartman: Romanticism after the Holocaust" offers the first comprehensive critical account of the work of the American literary critic Geoffrey Hartman.
Encyclopedia of Literary Romanticism (Literary Movements - Facts on File Library of World Literature)
Encyclopedia of Literary Romanticism provides a comprehensive A-to-Z guide to the Romantic movement, including such great writers as William Wordsworth, John Keats, and Mary Shelley. Entries in this new resource cover poets and novelists, literary works, historical and cultural topics, and more, ranging from the 18th-century precursors of the Romantics, such as Thomas Gray, to the six poets traditionally regarded as the chief Romantics, to mid-19th-century Victorians often regarded as late Romantics, such as Elizabeth Barrett Browning.
This book reopens the question of Rousseau's influence on the French Revolution and on English Romanticism, by examining the relationship between his confessional writings and his political theory. Gregory Dart argues that by looking at the way in which Rousseau's writings were mediated by the speeches and actions of Robespierre, we can gain a clearer and more concrete sense of the legacy he left to English writers. He shows how the writings of Godwin, Wollstonecraft, Wordsworth and Hazlitt rehearse and reflect upon the Jacobin tradition in the aftermath of the Terror.
