When Buddy Pancake and his buddies stumble across the Wish List website, they jokingly post their “impossible” wishes. Imagine their surprise when the wishes start coming true! But Buddy and his pals neglected to read the fine print and now must pay the price for the wishes they’ve been granted. Wish List is a compelling, nail-biting, laugh-out-loud thriller.
The story is set in winter in 1906. After his adventures as an amateur sleuth, Jim Stringer is now an official railway detective, working from York Station for the mighty North Eastern Railway Company. But he's not a happy man. As the rain falls incessantly on the city's ancient, neglected streets, the local paper carries a story highly unusual by York standards: two brothers have been shot to death.
First-person narrator Sarah Nickerson is a 37-year-old, overachieving multitasker with a Harvard MBA and a demanding job as vice president of human relations at a Boston consulting firm. Her husband, Bob, works at a struggling tech start-up and shares in the upbringing of their three young children in an affluent suburb. Then there’s a car accident on a rainy November morning, and a traumatic brain injury leaves Sarah with “left neglect,” a lack of awareness of anything to her left, including the left side of her own body.
Added by: susan6th | Karma: 3133.44 | Fiction literature | 4 October 2010
3
Sugar and Spice
The Christmas Stocking, Fern Michaels Philadelphia businesswoman Amy Baran is determined to raise money for a new seniors' center by harvesting Christmas trees from the small-town Virginia farm she remembers from her childhood. Trouble is, Gus Moss has come home from California with his own ideas about saving the farm his father has neglected. Neither wants to give up, but when attraction turns to romance, they just might have to give in ...
Romanticism and Form gives a snapshot of what and where the recent revival of formalism in Romantic Studies is up to, offering new analyses of canonical texts, contextualisations of Romantic forms in relation to war, nationalism, propaganda and empire, reassessments of neglected and marginalised writers and new explorations of the relationship between form and reader.
