Each issue of Spotlight includes an extra booklet called Travelogs. The focus is on a specific destination such as a single event, a museum, or a special district in a city, usually from somewhere around the English-speaking world.
Theodosia Throckmorton has her hands full at the Museum of Legends and Antiquities in London. Her father may be head curator, but it is Theo—and only Theo—who is able to see all the black magic and ancient curses that still cling to the artifacts in the museum. Sneaking behind her father's back, Theo uses old, nearly forgotten Egyptian magic to remove the curses and protect her father and the rest of the museum employees from the ancient, sinister forces that lurk in the museum's dark hallways.
On a desolate island off the southern coast of Chile, an incredible discovery is made: a gigantic meteorite, the largest ever found, entombed in the earth for millions of years. Half a world away, billionaire entrepreneur Palmer Lloyd decides he must have it as the centerpiece of his grandiose new museum. He is willing to pay any price--in dollars and in lives. Getting it back to New York poses a particular challenge: It will be the heaviest object ever moved by humankind.
Just days before a massive exhibition opens at the popular New York Museum of Natural History, visitors are being savagely murdered in the museum's dark hallways and secret rooms. Autopsies indicate that the killer cannot be human... But the museum's directors plan to go ahead with a big bash to celebrate the new exhibition, in spite of the murders. Museum researcher Margo Green must find out who-or what-is doing the killing. But can she do it in time to stop the massacre?
Art and Its Publics: Museum Studies at the Millennium
This book deserves a place on the museum-studies reading list and on the bookshelf of anyone seriously interested in the cultural place of museums today. Its lucid, observant essays take an informed look at a now ubiquitous institution, offering new points of view about the nature of the museum experience. Art and its Publics provides a welcome corrective to the presumption that art museums are monolithic institutions that narrowly control the perceptions and discussions of their visitors. A stimulating and provocative review of the range of diverse exhibition strategies used by art museum curators as they endeavor to engage multiple audiences in different aspects of art.
