This collection of papers takes linguists to the leading edge of techniques in generative lexicon theory, the linguistic composition methodology that arose from the imperative to provide a compositional semantics for the contextual modifications in meaning that emerge in real linguistic usage.

Compositional Semantics: An Introduction to the Syntax/Semantics Interface

This book provides an introduction to compositional semantics and to the syntax/semantics interface. It is rooted within the tradition of model theoretic semantics, and develops an explicit fragment of both the syntax and semantics of a rich portion of English.

Music and Mathematics: From Pythagoras to Fractals

From Ancient Greek times, music has been seen as a mathematical art, and the relationship between mathematics and music has fascinated generations. This collection of wide ranging, comprehensive and fully-illustrated papers, authorized by leading scholars, presents the link between these two subjects in a lucid manner that is suitable for students of both subjects, as well as the general reader with an interest in music. Physical, theoretical, physiological, acoustic, compositional and analytical relationships between mathematics and music are unfolded and explored with focus on tuning and temperament, the mathematics of sound, bell-ringing and modern compositional techniques.

Minds on Music: Composition for Creative and Critical Thinking

This book offers both a rationale for the presence of composition in the music education program and a thorough review of what we know of children's compositional practices to date.

Are natural languages genuinely compositional? What roles does context play in linguistic communication, and by what means? In particular, does context interfere with the compositional determination of truth conditions? What meanings should theorists assign to sentences if compositionality is to be retained? These are the central questions of this important volume of new philosophical essays in honour of Ernie Lepore.