Saddleback Classics were expressly designed to welcome developing readers to the wondrous world of great literature. Each novel, complete in just 80 pages, has been painstakingly adapted to retain the integrity of the original work. Each provides the reader a sence of the author's style and an understanding of the novel's theme. The low reading level assures success and stimulates a desire for further reading. And it goes without saying that the beloved characters and ever popular plots of these masterpieces guarantee a high interest level!
Saddleback Classics were expressly designed to welcome developing readers to the wondrous world of great literature. Each novel, complete in just 80 pages, has been painstakingly adapted to retain the integrity of the original work. Each provides the reader a sence of the author's style and an understanding of the novel's theme. The low reading level assures success and stimulates a desire for further reading. And it goes without saying that the beloved characters and ever popular plots of these masterpieces guarantee a high interest level!
Saddleback Classics were expressly designed to welcome developing readers to the wondrous world of great literature. Each novel, complete in just 80 pages, has been painstakingly adapted to retain the integrity of the original work. Each provides the reader a sence of the author's style and an understanding of the novel's theme. The low reading level assures success and stimulates a desire for further reading. And it goes without saying that the beloved characters and ever popular plots of these masterpieces guarantee a high interest level!
By the Roman age the traditional stories of Greek myth had long since ceased to reflect popular culture. Mythology had become instead a central element in elite culture. If one did not know the stories one would not understand most of the allusions in the poets and orators, classics and contemporaries alike; nor would one be able to identify the scenes represented on the mosaic floors and wall paintings in your cultivated friends' houses, or on the silverware on their tables at dinner. Mythology was no longer imbibed in the nursery; nor could it be simply picked up from the often oblique allusions in the classics. It had to be learned in school, as illustrated by the extraordinary amount of elementary mythological information in the many surviving ancient commentaries on the classics, notably Servius, who offers a mythical story for almost every person, place, and even plant Vergil mentions. Commentators used the classics as pegs on which to hang stories they thought their students should know.
Classics Illustrated comics returns with this dismal adaptation of Carroll's second Alice tale. Most of the charming paradoxes and silly puns are salvaged in gs the text, arranged in columns beneath the artwork rather than in word balloons. Consequently, a lot of very small illustrations are needed to carry the dialogue between Alice and the many looking-glass characters--to the detriment of the visual appeal of the work. g Baker ( Why I Hate Saturn ) is a good caricaturist, but the drawings often appear perfunctory and the color choicesg flat, garish and awkward.
