JFK and the Unspeakable: Why He Died and Why It Matters (Audiobook, MP3)
At the height of the Cold War, JFK risked committing the greatest crime in human history: starting a nuclear war. Horrified by the specter of nuclear annihilation, Kennedy gradually turned away from his long-held Cold Warrior beliefs and toward a policy of lasting peace. But to the military and intelligence agencies in the United States, who were committed to winning the Cold War at any cost, Kennedy's change of heart was a direct threat to their power and influence. Once these dark "Unspeakable" forces recognized that Kennedy's interests were in direct opposition to their own
Added by: khanlein | Karma: 106.13 | Black Hole | 30 June 2011
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Living English - Fluent English
ESL (English as a Second Language) students who reach an intermediate level of English don't need endless drills in grammar or tedious vocabulary lists; they need to learn how to make their English sound natural.
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Evolution meets game theory in this upbeat follow-up to Wright's much-praised The Moral Animal. Arguing against intellectual heavyweights such as Isaiah Berlin, Karl Popper and Franz Boas, Wright contends optimistically that history progresses in a predictable direction and points toward a certain end: a world of increasing human cooperation where greed and hatred have outlived their usefulness. This thesis is elaborated by way of something Wright calls "non-zero-sumness," which in game theory means a kind of win-win situation.
Assisted Death in Europe and America: Four Regimes and Their Lessons
Advances in medical treatment now enable physicians to prolong life to a previously unknown extent, however in many instances these new techniques mean not the saving of life but prolonging the act of dying. In the eyes of many, medical technology has run out of control and contributes to unnecessary suffering. Hence the demand has arisen that patients should be entitled to choose death when pain and physical and mental deterioration have destroyed the possibility of a dignified and meaningful life and that their doctors should help them to realize this endeavor.
Nathanael West's Hollywood novel takes place mostly at the margins of the movie kingdom, the universe of set painters and extras, frustrated small-timers, hangers-on and oddities. There are prostitutes here, transplanted Eskimos, a failed comic who sells silver polish door to door so that he can force luckless customers to watch his act. No one in this book has found the promise that California was supposed to offer, and at the end their anger and resentments collect into a riot in the streets that is the sum of their individual discontents.
