The 15th century saw the evolution of a distinct and powerfully influential European culture. But what does the familiar phrase “Renaissance Art” actually describe? Through engaging discussion of timeless works by artists such as Jan van Eyck, Leonardo da Vinci, and Michelangelo, Nichols produces a masterpiece of his own as he explores the truly original and diverse character of the artistic Renaissance. Tom Nichols is a lecturer in Renaissance Art History at the University of Aberdeen, UK.
This entertaining and learned volume contains book reviews, lectures, and hard to find articles from the late C. S. Lewis, whose constant aim was to show the twentieth--century reader how to read and understand old books and manuscripts. Highlighting works by Spenser, Dante, Malory, Tasso, and Milton, Lewis provides a refreshing update to medieval and Renaissance criticism, and equips modern readers to understand these works in a new way.
Before the Country: Native Renaissance, Canadian Mythology
In the late 1960s and early 1970s, Canada witnessed an explosion in the production of literary works by Aboriginal writers, a development that some critics have called the Native Renaissance. In Before the Country, Stephanie McKenzie explores the extent to which this growing body of literature influenced non-Native Canadian writers and has been fundamental in shaping our search for a national mythology.
Selected contributions to the Ninth World Shakespeare Congress, which took place in July 2011 in Prague, represent the contemporary state of Shakespeare studies in thirty-eight countries worldwide. Apart from readings of Shakespeare’s plays and poems, more than forty chapters map Renaissance contexts of his art in politics, theater, law, and material culture and discuss numerous cases of the impact of his works in global culture from the Americas to the Far East, including stage productions, book culture, translations, film and television adaptations, festivals, and national heritage.
Hybrid Renaissance presents the Renaissance in Italy, elsewhere in Europe, and in the world beyond Europe as an example of cultural hybridization. The two key concepts used in this book are 'hybridization' and 'Renaissance.' Roughly speaking, hybridity refers to something new that emerges from the combination of diverse older elements. The term 'hybridization' is preferable to 'hybridity' because it refers to a process rather than to a state, and also because it encourages the writer and the readers alike to think in terms of more or less rather than of presence versus absence.
