Poets & Writers Magazine: is a must have periodical for writers who are true students of their occupation. The magazine delivers its readers provocative essays on the literary life, practical guidance for getting published and pursuing a writing career, profiles of poets, fiction writers, and writers of creative nonfiction, and interviews between fellow professionals.
Albert Gelpi's American Poetry after Modernism is a study of major poets of the postwar period from Robert Lowell and Adrienne Rich through the Language poets. He argues that what distinguishes American poetry from the British tradition is, paradoxically, the lack of a tradition; as a result, each poet has to ask fundamental questions about the role of the poet and the nature of the medium, has to invent a language and form for his or her purposes.
The Age of the Poets revisits the age-old problem of the relation between literature and philosophy, arguing against both Plato and Heidegger’s famous arguments. Philosophy neither has to ban the poets from the republic nor abdicate its own powers to the sole benefit of poetry or art. Instead, it must declare the end of what Badiou names the “age of the poets,” which stretches from Hölderlin to Celan.
On January 18, 1914, seven male poets gathered to eat a peacock. W. B. Yeats and Ezra Pound, the celebrities of the group, led four lesser-known poets to the Sussex manor house of the man they were honouring, Wilfrid Scawen Blunt: the poet, horse-breeder, Arabist, and anti-imperialist married to Byron's only granddaughter.
A surprisingly large number of English poets have either belonged to a secret society, or been strongly influenced by its tenets. One of the best known examples is Christopher Smart’s membership of the Freemasons, and the resulting influence of Masonic doctrines on A Song to David. However, many other poets have belonged to, or been influenced by not only the Freemasons, but the Rosicrucians, Gormogons and Hell-Fire Clubs.
