The slightly retarded fifteen-year-old daughter of a diplomat dies on a school field trip - forced or lured into a deserted corner of the Santa Monica mountains and killed in cold blood. Her father adamantly denies the possibility of a political motive, which leaves LAPD detective Milo Sturgis and his longtime friend Alex Delaware to pose the question: why? The victim's father is so intent on controlling the investigation that Alex and Milo start to wonder if he wants to bring out the truth - or make sure it stays buried.
She was found stabbed to death on a quiet, shaded street in one of Los Angeles' safest neighbourhoods. For three months the police have found no clues to the murder of Hope Devane, psychology professor and controversial author of a pop-psych bestseller, and angry indictment of men. Now homicide detective Milo Sturgis, newly assigned to the case, turns to his friend, psychologist Dr Alex Delaware, looking for insights into Devane's life. To both men the cold stalking of Hope Devane suggests calculation fuelled by hate - an execution.
After thirty years of attending to the phsical and mental health of the inhabitants of Knife Island, a tiny community in the Micronesian archipelago, Dr William Moreland feels it would be of benefit to his successor, and to his colleagues throughout the Pacific, if his records were properly analysed. Only too grateful to escape the violent atmosphere of Los Angeles and recoup their emotional resources, Dr Alex Delaware and his partner Robin accept Moreland's invitation to spend a sabbatical on the island to help him in the task. But Knife Island is not the paradise of the travel brochures. The murder of a young woman has created an atmosphere of division and fear.
Dr Alex Delaware doesn't see many private patients any more, but for a young woman called Lucy Lowell he's prepared to make an exception. Referred to him by the police detective Milo Sturgis, Lucy had been a juror at the harrowing trial of a serial killer, and having survived that trauma is now being subjected to further emotional stress: a recurrent nightmare of a young child in a forest at night, watching something as furtive as it is disturbing. Now Lucy's dream is starting to disrupt her waking life, and Alex believes the power of the dream and its grip on her emotions may be a repressed childhood memory of something very real. Something like murder...
It came in a plain brown wrapper, no return address - a tape recording of a horrifying, soul-lacerating scream, followed by the sound of a childlike voice delivering the enigmatic and haunting message: 'Bad love. Bad love. Don't give me the bad love...'
