Bestseller Patterson's 14th Alex Cross thriller doesn't follow up on the plot threads left dangling in 2007's Double Cross concerning still-on-the-loose serial killer Kyle Craig. Instead, Cross, a Washington, D.C., police detective, takes on a very different quarry—a human monster known as the Tiger with ties to the African underworld. When the Tiger and his teenage thugs butcher writer Ellie Cox, her husband and children in their Georgetown home, Cross is devastated because Ellie had been his girlfriend in college. The Cox family massacre proves to be just the first in a series.
If you feel like a roller coaster, breathless ride, London Bridges is the hottest ride in town' -- Ballarat Courier, Australia 20041126 'Any thriller writer, wannabe or actual, would do well to study Patterson's 10th Alex Cross novel!Patterson continues to elaborate his finest hero, cerebral yet emotional, dedicated yet flawed, caught between duty and family.
Bestseller Patterson's 13th Alex Cross thriller (after 2006's Cross) pits the legendary profiler, now retired from law enforcement and working as a psychiatrist in private practice, against two serial killers. Kyle Craig, Cross's former colleague in the FBI (who was revealed to be the Mastermind, a particularly vicious and resourceful murderer, in 2001's Violets Are Blue), has managed to escape from a Colorado maximum-security prison and is steadily working his way through his list ofA those he holds responsible for his capture and incarceration.
Forensic psychologist Alex Cross's storied career in private practice, with the FBI and as a Washington, D.C., cop has brought him into contact with all kinds of seriously disturbed killers, but his 12th outing from bestseller Patterson (after 2005's Mary, Mary) may be the ultimate in lunatic deadliness. Beginning with a flashback to the murder of Cross's wife, Maria, Patterson quickly introduces Michael Sullivan (aka the Butcher of Sligo). What follows is a frenetically paced series of brutal rapes and killings by Sullivan, once employed by the mob as a freelancer and now at war with them.
Roses Are Red, James Patterson's sixth Alex Cross thriller, opens with the District of Columbia detective attempting to mend his nearly unraveled family. The year-long kidnapping of one's intended (1999's Pop Goes the Weasel) will do that to a relationship. Christine, the kidnappee, is amenable with one reasonable condition: that her family's horizon remain uncluttered by homicidal maniacs. How unfortunate, then, that the joyous christening of their newborn son is rudely interrupted by the FBI bearing news of several heinous murders requiring the attention of detective (and doctor of psychology) Cross.
