"An inspector calls", the title play in this collection, was written inside a week in 1944. Inspector Goole, investigating a girl's death, calls on the Birlings, an outwardly virtuous household.
Imagine a time and space traveler from another planet. One that looks human and exemplifies the ideal world he comes from, a world free from human nature's greed and cruelty. That creature would be "prot", as he calls himself, the newest patient at the Manhattan Psychiatric Institute.
Added by: Kahena | Karma: 11524.33 | Fiction literature | 10 January 2012
3
Cast into Doubt
A gripping novel of domestic suspense - Shelby Sloan, a successful Philadelphia businesswoman in her early forties, has one child, a daughter whom she raised on her own. She gives her daughter, Chloe, and son-in-law, Rob, a Caribbean cruise as a gift, while she takes the opportunity to mind her four-year-old grandson. But life becomes a nightmare when Rob calls to tell her that Chloe has disappeared overboard. The police decide it was an accident, but Shelby refuses to accept the official verdict . . .
Neema's and Kate's first day of Wentworth High begins poorly but gets much worse when they find out that their English teacher, the pale Ms. Dallimore, is notorious for challenging essay assignments. Ms. Dallimore assigns an essay with the topic "Who am I?" and gives class 7B a whole six weeks to think and write. Everyone calls Ms. Dallimore the Bride of Dracula. She wants her students to think, and imagine and "learn to fly!"
Much of what has been written about the genre since has remained within the orbit of this preliminary assessment. While sympathetic towards the early French critics, this collection of original essays attempts to move beyond their first fascinated look. Beginning with an autonomy of that look—of the 'poujadist' climate that nourished it and the imminent collapse of the Hollywood studio system that gave it its mournful inflection—Shades of Noir re-explores and calls into question the object first constructed by it. The impetus for this shift in perspective comes from the films themselves, viewed in the light of contemporary social and political concerns, and from new insights.
J.B. Priestley: An Inspector Calls
