Shakespeare and Cognition - Aristotle's Legacy and Shakespearean Drama: Webbing the Invisible
Shakespeare and Cognition examines the essential relationship between vision, knowledge, and memory in Renaissance models of cognition as seen in Shakespeare's plays. Drawing on both Aristotle's Metaphysics and contemporary cognitive literary theory, Arthur F. Kinney explores five key objects/images in Shakespeare's plays -- crowns, bells, rings, graves, and ghosts -- that are not actually seen (or, in the case of the latter, not meant to be seen), but are central to the imaginations of both the playwright and the playgoers.
The greatest value of Marla Wolfblade, Hythria's beautiful, 15-year-old princess, lies in the political marriage her brother, High Prince Lernen, can make for her and the heirs to the throne she may produce. Unfortunately for the House of Wolfblade, Lernen, interested only in perverse pleasures, cares nothing about ruling. Kagan, Lernen's personal sorcerer, actually runs things and is doing his level best to keep Lernen from being murdered and thereby opening the throne to Bernardo, who may be even stupider than Lernen is disinterested.
Although the dream of flying is as old as the human imagination, the notion of actually rocketing into space may have originated with Chinese experiments with gunpowder in the Middle Ages. Rockets as weapons and entertainment, whether sprung from science fiction or arising out of practical necessity, are within the compass of this engaging history of how human beings actually gained the ability to catapult themselves into space.
Love Actually is the highly awaited new screenplay and directorial debut from phenomenally popular screenwriter Richard Curtis. Weaving together the stories of ten couples, the movie is as real as our own lives, and as funny, wise, and poignant as only Richard Curtis (Four Weddings and a Funeral) could create.
Disillusioned journalist Tom Langdon must get from Washington to L.A. in time for Christmas. Forced to take the train across the country because of a slight "misunderstanding" at airport security, he begins a journey of self-discovery and rude awakenings, mysterious goings-on and thrilling adventures, screwball escapades and holiday magic. He has no idea that the locomotives pulling him across America will actually take him into the rugged terrain of his own heart, as he rediscovers people's essential goodness and someone very special he believed he had lost.
