Developmental Juvenile Osteology gives an account of the development of all the bones of the human skeleton, from their earliest embryological form to final adult form. This volume collates information never before assembled in one volume. Profusely illustrated with high quality drawings, it also provides a complete description of the adult skeleton and its anomalies.
Investigating English Discourse is a collection of essays that address the discourse of "English" as a subject of teaching and learning. Ronald Carter draws on recent applied linguistic work in the discourse analysis of English to link theory with practice. Written in a clear, accessible manner, Carter includes examples from advertisements, poetry, jokes and public notices. Topics include grammar, correctness and standard English, critical language awareness and literacy, language and creativity, and discourse theory.
Rhetoric is once again becoming valued as an essential element in the exploration of the ancient world. This volume is part of a general renaissance in the study of rhetoric and draws together established and newer scholars in the field to produce a probing and innovative analysis of the role played by rhetoric in Roman culture. Utilizing a variety of critical approaches and methodologies, the contributors examine not only the role of rhetoric in Roman society but also the relationship between rhetoric and Rome's major literary genres.
A groundbreaking anthology that will incite a major reappraisal of the role of women playwrights in the creation of modern drama, Modern Drama by Women 1880s-1930s offers English-language readers and performers a first-ever sampling of once-prominent plays by women from around the world. Featured are twelve plays by women from the Americas, Europe, and Asia, spanning a national and stylistic range from Swedish realism to Russian symbolism. Six of these plays are appearing in their first English-language translation.
Tragic Seneca undertakes a radical re-evaluation of Seneca's plays, their relationship to Roman imperial culture and their instrumental role in the evolution of the European theatrical tradition. Following an introduction on the history of the Roman theatre, the book provides a dramatic and cultural critique of the whole of Seneca's corpus. Each play is examined in detail, locating the force of Senecan drama not only in the moral complexity of the texts and their representations of power, violence, history, suffering and the self, but the semiotic interplay of text, tradition and culture.