Each volume of Poetry for Students provides analysis of approximately 20 poems that teachers and librarians have identified as the most frequently studied in literature courses. Some of the poems covered in this volume include: "Knowledge" by Kim Addonizio "Art Thou the Thing I Wanted" by Alice Fulton "The River Mumma Wants Out" by Lorna Goodison "Chorale" by Kevin Young "Self-Portrait" By Adam Zagajewski And more
Each volume of Poetry for Students provides analysis of approximately 20 poems that teachers and librarians have identified as the most frequently studied in literature courses. Some of the poems covered in this volume include: "Not Like a Cypress" by Yehuda Amichai "Always" by Guillaume Apollinaire "Monologue for an Onion" by Sue Kwock Kim "All I Was Doing Was Breathing" by Mirabai "Seeing You" By Jean Valentine And more
This description of the structure of Old Church Slavonic is intended to present fully the important data about the language, without citing all the minutiae of attested variant spellings. The facts have been treated from the point of view of structural linguistics, but pedagogical clarity has taken precedence over the conciseness required for elegant formal description. Old Church Slavonic was used over a period of some two hundred years and in various geographical parts of the Slavic world.
The first volume of The New Medieval History covers the transitional period between the later Roman world and the early middle ages, c. 500 to c. 700. This was an era of developing consciousness and profound change in Europe, Byzantium and the Arab world, an era in which the foundations of medieval society were laid and to which many of our modern myths of national and religious identity can be traced.
Timaeus (Greek: Timaios) is a theoretical treatise of Plato in the form of a Socratic dialogue, written circa 360 BC. The work puts forward speculation on the nature of the physical world. It is followed by the dialogue Critias. Speakers of the dialogue are Socrates, Timaeus of Locri, Hermocrates, Critias. Some scholars have argued that it is not the Critias of the Thirty Tyrants who is appearing in this dialogue, but his grandfather, who is also named Critias.
