This book investigates the nature and properties of roots, the core elements of word meaning. In particular, chapters examine the interaction of roots with syntactic structure, and the role of their semantic and morpho-phonological properties in that interaction. Issues addressed in the book include the semantics and phonology of roots in isolation and in context; the categorial specification of roots; and the role of phases in word formation.

The organization of Shakespeare's plays has challenged, even baffled audiences and critics since the 17th century. Cymbeline has been dismissed as "incoherent." Hamlet "is of no clear shape." And Antony and Cleopatra "bewilders the mind."
These judgments result from an incomplete understanding of Shakespeare's constructive practice. It is not the narrative arc alone that organizes the plays but a complex structure of interwoven narrative and thematic actions. While the narrative varies from play to play, thematic actions are invariably created in mirroring pairs around the central scene: A-B-C-B-A.

First published in 1976. Routledge is an imprint of Taylor & Francis, an informa company.

This book might be described as an exercise in applied stylistic analysis. Its principal aim can be stated quite briefly: to present a discussion of an approach to the study of literature and a demonstration of its possible relevance to the teaching of literature.

This book explores the wealth of evidence from early Indo-Aryan for the existence of transitive nouns and adjectives, a rare linguistic phenomenon which, according to some categorizations of word classes, should not occur. John Lowe shows that most transitive nouns and adjectives attested in early Indo-Aryan cannot be analysed as a type of non-finite verb category, but must be acknowledged as a distinct constructional type. The volume provides a detailed introduction to transitivity (verbal and adpositional), the categories of agent and action noun, and to early Indo-Aryan.

Hemingway’s Brain is an innovative biography and the first forensic psychiatric examination of Nobel Prize–winning author Ernest Hemingway. After committing seventeen years to researching Hemingway’s life and medical history, Andrew Farah, a forensic psychiatrist, has concluded that the writer’s diagnoses were incorrect. Contrary to the commonly accepted diagnoses of bipolar disorder and alcoholism, Farah provides a comprehensive explanation of the medical conditions that led to Hemingway’s suicide.