The so-called Sumerian conjugation prefixes are the most poorly understood and perplexing elements of Sumerian verbal morphology. Approaching the problem from a functional-typological perspective and basing the analysis upon semantics, Professor Woods argues that these elements, in their primary function, constitute a system of grammatical voice, in which the active voice is set against the middle voice. These prefixes are, in turn, represented by heavy and light markers that differ with respect to focus and emphasis.
The term ‘rhetoric’ describes the effective use of language, usually to persuade or influence. Frequently set up in opposition to ‘truth’ or ‘plain speech’, it has attracted much critical debate from ancient philosophy to current literary theory. Examining both the practice and theory of this controversial concept, Jennifer Richards looks at: historical and contemporary definitions of the term ‘rhetoric’uses of rhetoric in literature
Robert Bly's new collection of poetry is made of forty-eight poems written in the intricate form called the ghazal, which is the central poetic form in Islam. The influence of Hafez and Rumi is clear, and yet the poems descend into the wealth of Western history, referring at times to Monet, Giordano Bruno,Emerson, St. Francis, Newton, and Chekhov, as well as to events in Bly's own life.
The Oxford Introduction to Proto-Indo-European and the Proto-Indo-European World
This book introduces Proto-Indo-European, describes how it was reconstructed from its descendant languages, and shows what it reveals about the people who spoke it between 5,500 and 8,000 years ago. Using related evidence from archaeology and natural history the authors explore the lives, thoughts, passions, culture, society, economy, history, and environment of the Proto-Indo-Europeans.
Robert Bly's new collection of poetry is made of forty-eight poems written in the intricate form called the ghazal, which is the central poetic form in Islam. The influence of Hafez and Rumi is clear, and yet the poems descend into the wealth of Western history, referring at times to Monet, Giordano Bruno,Emerson, St. Francis, Newton, and Chekhov, as well as to events in Bly's own life.
