The Handbook of the English Writing System provides a comprehensive account of the English writing system, both in its current iteration and highlighting the developing trends that will influence its future. Twenty-nine chapters written by specialists from around the world cover core linguistic and psychological aspects, and also include areas from other disciplines such as typography and computer-mediated communication.
The Handbook of the English Writing System is essential reading for researchers and postgraduate students working in this area.

Edward VI, the only son of Henry VIII, became king at the age of nine and died wholly unexpectedly at the age of fifteen. All around him loomed powerful men who hoped to use the child to further their own ends, but who were also playing a long game - assuming that Edward would long outlive them and become as commanding a figure as his father had been.

The finest and fullest guide to the peculiarities of Elizabethan syntax, grammar, and prosody, this volume addresses every idiomatic usage found in Shakespeare's works (with additional references to the works of Jonson, Bacon, and others). Its informative introduction, which compares Shakespearian and modern usage, is followed by sections on grammar (classified according to parts of speech) and prosody (focusing on pronunciation). The book concludes with an examination of the uses of metaphor and simile and a selection of notes and questions suitable for classroom use.  Unabridged republication of the classic 1870 edition.

This volume brings together the latest research on the semantics of nouns in both familiar and less well-documented languages, including English, Mandarin Chinese, Russian, the Papuan language Koromu, the Dravidian language Solega, and Pitjantjatjara/Yankunytjatjara from Australia. Chapters offer systematic and detailed analyses of scores of individual nouns across a range of conceptual domains, including 'people', 'places', and 'living things', with each analysis fully grounded in a unified methodological framework.

In recent years philosophers have produced important books on nearly all the major arts: the novel and painting, music and theatre, dance and architecture, conceptual art and even gardening. Poetry is the sole exception. This is an astonishing omission, one this collection of original essays will correct. If contemporary philosophy still regards metaphors such as 'Juliet is the sun' as a serious problem, one has an acute sense of how prepared it is to make philosophical and aesthetic sense of poems such W. B. Yeats's 'The Second Coming', Sylvia Plath's 'Daddy', or Paul Celan's 'Todesfuge'.