Ibn Abi Tahir Tayfur and Arabic Writerly Culture: A Ninth Century Bookman in Baghdad
Added by: dovesnake | Karma: 1384.51 | Coursebooks, Fiction literature | 7 October 2008
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Product Description: In spite of the considerable attention devoted to the third/ninth century by scholars of Arabic literature, credit for the elaboration of the notion of adab in its wider meaning of literary culture is given to and concentrated upon only a handful of writers. The disproportionate emphasis, within and outside the Arabic literary-historical and critical tradition, has been at the expense of certain crucial aspects of that tradition.
Added by: dovesnake | Karma: 1384.51 | Coursebooks, Fiction literature | 7 October 2008
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Product Description: In Unmaking Mimesis, Elin Diamond interrogates the concept of mimesis in relation to feminism, theatre and performance. Diamond combines psychoanalytic, semiotic and materialist strategies with readings of selected plays by diverse writers such as Ibsen, Brecht, Aphra Behn, Caryl Churchill and Peggy Shaw. Through provocative readings of theatre, theory and feminist performance, Diamond demonstrates the continuing force of feminism and mimesis in critical thinking today.
Added by: dovesnake | Karma: 1384.51 | Coursebooks, Fiction literature | 7 October 2008
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Product Description:
An engaging and accessible guide to Russian writing of the past thousand years covering the entire span of Russian literature, from the Middle Ages to the post-Soviet period, and exploring all the forms that have made it so famous.
Magical Realism in West African Fiction: Seeing with a Third Eye
Added by: dovesnake | Karma: 1384.51 | Coursebooks, Fiction literature | 7 October 2008
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Product Description: Magical Realism in West African Fiction focuses on the cultural politics of magical realism, as exemplified in the fiction of Syl Cheney-Coker of Sierra Leone, Ben Okri of Nigeria and Kojo Laing of Ghana and contextualizes their fiction within current debates and theories around the 'postcolonial' globally. Providing a thoughtful introduction to magical realism as a genre, Brenda Cooper uses Cheney-Coker, Okri and Laing to discuss the particular and distinct intervention of magical realism in a West African context. She examines the narrative techniques of novels that mingle the dimensions of magic, myth and historical reality, and addresses their position in relation to the more explicitely nationalist agendas of the realism of Achebe and others.
James Hadley Chase was born in London and initially worked as a book wholesaler. His real name was Rene Brabazon Raymond, also writing under the name of Raymond Marshall. His first novel, written apparently over some weekends in 1938 was "No Orchids for Miss Blandish", which achieved remarkable popularity, was made into a film in 1948, toured as a stage play and was remade as a film entitled Grissom in 1971.