Using their relationship as a prism, Keneally depicts the instances of tense commingling between the two communities. His historical narrative is so detailed as to at times feel dutiful. He's most successful serving up some of the dozens of pithy mini-portraits of the lowborn settlers. Like Robert Hughes in his seminal The Fatal Shore, Keneally seeks to correct some of the clichés that have arisen. He's careful to point out that the few thousand convicts sent to the colony were hardly the worst of the worst. Keneally's new consideration won't replace Hughes's definitive work, but with its colorful and eloquent prose, it makes for a compelling companion piece, one that credits Phillip for most of the colony's success.