Modernist reenactments of this pattern present narrators who, although vigorously protesting the victimization of certain characters, unfailingly seize upon others as their surrogates. Each novel is designed in such a way, however, as to resist the reconstruction of a sacrificial ritual to which its narrator is prone. The resulting tension between the binding and unbinding of ritual persecution dramatizes the paradox that we can neither believe convincingly in the guilt of our scapegoats nor imagine a society that has dispensed with them entirely. Thomas Cousineau is Professor of English at Washington College in Maryland.