The 11th Scarpetta novel, The Last Precinct, doesn't add any new names to the second roster. Instead, in a sweeping narrative gesture toward retrospection (less-than-fervent fans might whisper "or stagnation"), the novel depends largely on ground already covered in its predecessors, Black Notice and, to a lesser extent, Point of Origin. All the familiar faces--friend and foe--are here: police captain Marino, Kay's niece Lucy, the so-called Werewolf murderer, and (in memoriam) Kay's lover Benton Wesley and his killer, Carrie Grethen. Kay, who nearly killed the Werewolf in self-defense as Black Notice came to a close, now finds herself the target of a corrupt police investigation that will dredge her darkest secrets from the deepest corners of her past.
Torn between a desire to clear her name and the instinct of a wounded animal to turn against even its would-be rescuers, Kay sifts through the forensic evidence that seems to link Chandonne to other horrific events in her past, up to and including Wesley's murder.