How to Write a Successful Research Grant Application: A Guide for Social and Behavioral Scientists
The Second Edition of ‘How to Write a Successful Research Grant Application’ is the only book of its kind written by federal research investigators which provides technical assistance for researchers applying for biobehavioral and psychosocial research funding and can give them an edge in this competitive environment. The book provides invaluable tips on all aspects of the art of grantsmanship, including: how to determine research opportunities and priorities, how to develop the different elements of an application, how to negotiate the electronic submission and review processes, and how to disseminate the findings.
Emerson, author of the Lady Appleton and Diana Spaulding mystery series, turns her hand to how it’s done in this useful guide to writing historical crime fiction. Drawing on her own works and those of her fellow historical-mystery writers (Kerry Greenwood, Alan Gordon, Carola Dunn, and others), she lays out, in commonsense sequence, the stages of planning and writing a historical mystery. Chapters on choosing setting and character, research, crafting a plot, and selling your book offer much of the same information as similar chapters in other how-to books for mystery writers, but the information is nicely tailored for this particular genre.
Musicians and artists might need talent to succeed, but writers don't, says Jerry Cleaver in Immediate Fiction. Cleaver allows that talent is needed to win a National Book Award, say, but otherwise, any of us can do it. All we need is the ability to "develop and exercise sadistic license." The operative word is conflict. As Cleaver puts it, "Happy lives make lousy novels.... If the characters are having a good time, the reader is not." He takes the mystery out of fiction writing. You don't have to write about what you know, he says; write what you can imagine. .
This is an EXACT reproduction of a book published before 1923. This IS NOT an OCR'd book with strange characters, introduced typographical errors, and jumbled words. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.
The Dramatic Writers Companion: Tools to Develop Characters, Cause Scenes, and Build Stories
Moss Hart once said that you never really learn how to write a play; you only learn how to write this play. Crafted with that adage in mind, The Dramatic Writer’s Companion is designed to help writers explore their own ideas in order to develop the script in front of them. No ordinary guide to plotting, this handbook starts with the principle that character is key. “The character is not something added to the scene or to the story,” writes author Will Dunne. “Rather, the character is the scene. The character is the story.”
