Geralt is a witcher, a man whose magic powers, enhanced by long training and a mysterious elixir, have made him a brilliant fighter and a merciless assassin. Yet he is no ordinary murderer: his targets are the multifarious monsters and vile fiends that ravage the land and attack the innocent. He roams the country seeking assignments, but gradually comes to realise that while some of his quarry are unremittingly vile, vicious grotesques, others are the victims of sin, evil or simple naivety.
Paul Sherman of Interpol's Narcotics Bureau make a big mistake when he landed at Schiphol Airport believing that no one but Jimmy Duclos knew of his arrival in Amsterdam. Sherman had to realise that the gang of heroin smugglers he was out to smash knew his movements as well as he did.
Added by: Kahena | Karma: 11526.37 | Fiction literature | 4 September 2011
4
The Land of Laughs
For schoolteacher Thomas Abbey there was no writer to equal Marshall France, a legendary author of children's books who hid himself away in the small town of Galen and died of a heart attack at the age of forty-four. Tom and his girlfriend Saxony, wanting to write France's biography, arrive in Galen, where they discover the writer's fiercely protective daughter Anna is waiting for them. Before long, they realise that this idyllic little town and its inhabitants - both human and animal - are not quite what they seem: France's magic has spread beyond the printed page . . .
In recent years the marginal position which has defined translators and their texts has come under increasing and sustained challenge. However, although translation and subjectivity has been thoroughly considered in terms of post-colonialism and post-structuralism, there are few discussions which focus specifically on the construction of "Englishness" through vernacular translation. Using a range of theoretical approaches the five essays in this volume aim to realise such an understanding of translation by critically analyzing the cultural and political implications of translation and the construction of English subjectivities at particular historical moments.
