TTC - Making History: How Great Historians Interpret the Past
History is not truth. While it forms the backbone of our knowledge about the world, history is nevertheless only a version of events. History is shaped by the interpretations and perspectives of the individual historians who record it.
The Hidden Famine - Hunger, Poverty and Sectarianism in Belfast
Between 1845 and 1852 Ireland was devastated by the 'Great Hunger' – the most severe famine in modern European history. The view widely held by historians is that the impact of the Famine on the northern province of Ulster, in particular the largely Protestant city of Belfast, was minimal. In the first book on the Famine to focus specifically on Belfast, Christine Kinealy, one of Ireland’s leading historians of the period, and Gerard MacAtasney, challenge this view and offer a new interpretation.
This book brings together a distinguished international group of scholars in an effort to answer this key question through a sustained interrogation of the periods, themes, fields, problems and perspectives in historical writing on the United States. How have the intricate issues surrounding gender, race, slavery and civil rights been resolved and interpreted in recent American history? How have historians dealt with the complexities of events such as the American Revolution, the Civil War, Reconstruction and the New Deal in developing their historical narratives? In what ways have technological developments in industry, print and film influenced the questions historians ask?
Prophets of the Past: Interpreters of Jewish History
Prophets of the Past is the first book to examine in depth how modern Jewish historians have interpreted Jewish history. Michael Brenner reveals that perhaps no other national or religious group has used their shared history for so many different ideological and political purposes as the Jews. He deftly traces the master narratives of Jewish history from the beginnings of the scholarly study of Jews and Judaism in nineteenth-century Germany; to eastern European approaches by Simon Dubnow, the interwar school of Polish-Jewish historians, and the short-lived efforts of Soviet-Jewish historians; to the work of British and American scholars such as Cecil Roth and Salo Baron
When Nietzsche declared "God is dead," little did he know he was helping to launch a new cinematic genre characterized by shady characters and seamy plotlines involving fallen women, murder and betrayal. But noir is inevitably more than just stylish filmmaking or the marriage between American hard-boiled fiction and German expressionism, according to the philosophers, film historians and English professors who contributed to this book: film noir "challenged widespread assumptions about material and moral progress" and represents a "systematic deconstruction of the American Dream."
