Clash is an award-winning independent monthly magazine dedicated to music, fashion, film and lifestyle. Exquisitely produced, its unique style presents exclusive in-depth interviews from legends and future heroes of music across all genres, made by passionate music lovers for music lovers. With an insightful and trusted reviews section, Clash is the only magazine you’ll ever need.
Clash is an award-winning independent monthly magazine dedicated to music,fashion,film and lifestyle. Exquisitely produced, its unique style presents exclusive in-depth interviews from legends and future heroes of music across all genres, made by passionate music lovers for music lovers. With an insightful and trusted reviews section, Clash is the only magazine you’ll ever need.
Crime dramas have been a staple of the television landscape since the advent of the medium. Along with comedies and soap operas, the police procedural made an easy transition from radio to TV, and starting with Dragnet in 1952, quickly became one of the most popular genres. Crime television has proven to be a fascinating reflection of changes and developments in the culture at large
How do some writers craft conversation so authentic, it feels like they've been eavesdropping? What's the secret behind getting characters to talk to each other? How can writers make their dialogue sing? Answers to all of these questions and more can be found in Gloria Kempton's in-depth look at this crucial component of fiction. Readers will learn how to create dialogue that sizzles, with tips on: * Creating dialogue for specific genres
* Bringing characters to life with revealing dialogue
The French administrative language of the European Union is an emerging discourse: it is only fifty years old, and has its origins in the French administrative register of the middle of the twentieth century, but it is also a unique contact situation in which translation has always played a pivotal role. Using the methodology of corpus linguistics, and a specially compiled corpus of texts, covering a range of genres, this book describes the current discourse of EU French from the perspective of phraseology and collocational patterning, and in particular in comparison with its French national counterpart.
