When vintage clothing expert Phoebe Swift decides to abandon her career as a Sotheby’s auctioneer, she opens London’s Village Vintage, selling only the best recycled designer duds. However, it isn’t long before we discover that the cupcake dresses and alligator clutches that populate her quaint neighborhood shop aren’t Phoebe’s only baggage. Reeling from the death of a close friend and the subsequent collapse of her wedding engagement, Phoebe is in need of a change. She certainly loves the clothing she sells for its history, but it takes a new and profound friendship with the elderly client Mrs. Bell to show Phoebe to care for herself in the same way.
The Medieval Tailor's Assistant - Making Common Garments 1200 - 1500
This book covers everything you ever wanted to know about medieval clothing, from measurements, patterns and materials to methods of construction. It has over 400 illustrations of medieval clothing, and 121 patterns for shirts and smocks, cotes, doublets, kirtles, hose, surcotes, cotehardies, gowns, overkirtles, cloaks, children's clothing, headwear, and accessories.
Historical dress and textiles, always a topic of popular interest, has in recent years become an academic subject in its own right, transcending traditional genre boundaries. This annual journal includes in-depth studies from a variety of disciplines as well as cross-genre scholarship, representing such fields as social history, economics, history of techniques and technology, art history, archaeology, literature, and language. The contents cover a broad geographical scope and a range of periods from the early Middle Ages to the Renaissance.
The armour and weapons of Rome's legionaries and auxiliaries have been the subject of intense research and speculation, and much has been published - but almost nothing on the actual clothing of Imperial soldiers. In this first part of a rigorous study of the literary, sculptural, pictorial and archaeological evidence, a specialist author/artist examines the clues which enable us to attempt reconstructions of tunics, cloaks, footwear and other items worn by officers and men all over the empire, from the late Republic to c.200 AD. His text is illustrated with meticulous drawings of surviving relief sculptures - particularly soldiers' gravestones - and eight striking colour plates.
Among the most evocative items to be discovered by archaeologists are the scraps of silk and wool and other fabrics that signal so eloquently their owner's status and concerns. Such clothing and textile finds have figured prominently in excavations of medieval sites in London in the past two decades; they have included knitting, tapestries, silk hair-nets and elaborately patterned oriental, Islamic and Italian fabrics, which reveal for the first time the wide range of cloths available to medieval Londoners; there are beautifully made buttons, and buttonholes and edgings which display superb craftsmanship and a high level of needlework skills.
