When Emily Windsnap discovers an old diamond ring during a class hunt for trinkets, how is she supposed to know that the ring is half the key to unlocking an ancient curse by Neptune himself? Now, with the ring stuck firmly on her hand, Emily finds herself under a new curse: in just a few days, she’ll cease to be half-human and half-mermaid and must say good-bye to one of her parents forever. Can she possibly find the other missing ring that will break all the curses? Is there anyone who can help her — before it’s too late?
He was born to a clan of warriors of supernatural strength, but Gavrael McIllioch abandoned his name and his Highland castle, determined to escape the dark fate of his ancestors.
The Human Factor is the story of Maurice Castle, an MI5 agent married to a black South African woman. When information leaks are discovered in Castle's department, suspicion falls on his coworker, a young man named Arthur Davis. The bureau arranges Arthur's death, although they have no definite proof of his double-agency. It turns out that Castle is the double agent, turned during his time in Africa because of a desire to help his wife's people escape the scourge of apartheid.
Now, at last, the Orb was regained and the quest was nearing its end. Of course, the questors still had to escape from this crumbling enemy fortress and flee across a desert filled with Murgo soldiers searching for them, while Grolim Hierarchs strove to destroy them with dark magic.
The Female Thermometer: Eighteenth-Century Culture and the Invention of the Uncanny
The work of leading scholar Terry Castle, called by the New York Times "always engaging...consistently fascinating," has helped to revolutionize eighteenth-century studies. The Female Thermometer brings together Castle's essays on the phantasmagoric side of eighteenth-century literature and culture. Taking as her emblem the fanciful "female thermometer," an imaginary instrument invented by eighteenth-century satirists to measure levels of female arousal, Castle explores what she calls the "impinging strangeness" of the eighteenth-century imagination--
